photo editing and compositing to produce numerous unique silhouette profiles from which eight final selections were made. the overall process I devised consisted of having 72 participants photographed in high contrast (photos: stephen keen) then dividing their silhouettes into six strata each in order to mix and match facial features to end up with a set of completely unique profiles to be used as the basis for the final sculpture. A total of 156,238,908 combinations were possible using this method — for the public art sculpture entitled presence to be sited at the public safety building in salt lake city, utah.
concept illustration showing 3D modeled renderings of tetrapods and root wads composited into site rendering (provided by project architects) – for public art at the u.s. army corps of engineers headquarters in seattle, washington.
Role: 3D modeling & rendering, concept illustrations, pre-visualization, compositing
layout, compositing & additional modeling/rendering for the four-page public art proposal boise water table for the city hall courtyard in boise, idaho.
selected pages from the 80-page self-published book documenting buster simpson's fish and crow related artworks from the 1970s through the 2010s – printed by blurb.